Narrative Structure and Binary Oppositions Essay Example for Free

Narrative Structure and Binary Oppositions EssayThis essay illustrates the disposition of writing aspects of optical composition because they atomic number 18 grammar of a language. In this chain, we get to know good literature and good poetry is more than words and subject matter, art is more than work outs. The Safaricom Comp twain had to pack the reprobate structure, the mien, and so on push aside make or break a good story. The designer of this in writing(predicate) show the elan the gradeal elements are arranged and this low bearing make or break a good picture idea. The use of design tenets utilize to the visual elements is like visual grammar. In the flat coat of this graphic, the children are playing and happy in school, at the comparable time it is like learning to need and write the language of vision because it develop you with a style of expressing visual ideas, this also helps you to become visual poets. Looking for the visual cause of design pri nciples does non have to limit an artists options because it nooky focus an experimentation and choice making..The six visual elements which includes the disguise, the line, shape, value or tone, texture, volume or form are every(prenominal) display in this fig, startle we think of the elements as the basic visual bodily to this art because it is hard to imagine anything visual without the use of one or more of these elements. While, we think of the principles as was to work with and arrange the elements.See more what is a narrative essayColors are entrancen inside the brain, it is the eyes that have the receptors that tell your brain what you are looking at, in the picture color let onward a lot about this fellowship. The color green was exploded in the visual element to shows their bullheadedness in Kenya and are the safari of Kenya with color used. Secondly, the lines used in the graphic design shows the border steer the page layout and the design is shows the pictur e in a book form. The third thing is the shape which alter this design unique, hitherto in the picture lots of shapes are shown to try you a better spirit about what information its poetry to the audience.Value or tone are shows who the picture was edited well and contrast at the proper level so suit the eyes of the viewers in Kenya , Safaricom had been there for the nation in it start-up. This was the first GSM Company and they had extended throughout the nation, they had brought lots of programs to the Kenyan citizenry.This image tells how the social club is in the front of the Kenyan people and ready to go extra mines for them, in the picture a boy is standing outside of a school fence with smile which means, Safari com company and on the campus there are lots of students and they are playing and dancing which poetry the services that the company Safaricom render to the Kenyan people.In an otherwise aspects of this graphic Safaricom company is promoting education programs, for those street kids out there who their parents doesnt have the hands to sponsor them in school, the gender aspects have to do with promoting sexual gender equal because this have lead to many kids abuse and Safaricom is here in this picture saying am here for a chance. All these are just tell us how media are concern 95% in preaching polities.Some of the design principles or design rules are broken by artist for example Emphasis- says Center of interest. It is about dominance and influence. Most artists put it a bit off center and balance it with roughly minor themes to maintain our interest. Some artists avoid emphasis on purpose. They essential all parts of the work to be equally interesting. Harmony- As in music, complementary layers and/or resultant roles squeeze out join to produce a more attractive exclusively. The composition is complex, exclusively everything calculates to fit with everything else. The whole is better than the sum of its parts. Unity- When nothi ng distracts from the whole, you have unity.Unity without variation can be uninteresting- like campaign on a clear day through Western Kansas on the interstate. Unity with diversity largely has more to offer in both art and in life. Of course some very nominal art can be very claiming and at times even very evocative. Even the guileless landscape in this artwork has a powerful effect. Opposition- uses contrasting visual concepts. That same background of this Safaricom advertizement blue sky landscape becomes very dramatic and expressive when a sun builds in the southwest. Principles can grow out of any artistic device that is used to produce an effect on the viewer. fit is one of the most important things because it is the consideration of the visual weight and importance in this image looks. It is the way of comparing the right and left side of the composition. The boy outside the fence is essentially regular and the other students in the shade background, both sides are simi lar in visual weight and almost mirrored. Because symmetrical balance often looks more stiff and formal, sometimes it is called formal balance. Asymmetrical balance is more interesting, in the picture both sides again are similar in visual weight but not mirrored. It is more casual, moral force, and relaxed feeling so it is often called informal balance.Radial balance is not very vulgar but it is like a daisy image as we see in this picture with everything arranged close to a center. Rose windows of cathedrals also use this design system too. Of course Safaricom, even though was the first communication company doesnt look stiff and formal because we think of fluttering the company as nation number one for freedom and spontaneity. It is a case of subject matter and symbolism overpower formal design effects. This Safaricom image can have many meanings and feeling beyond its radiant feeling. great deal might hate it as telling what they should do with their life and on the other ha nd, many of us cant help thinking about this great company Safaricom. The extraordinarily textured pied the company. Since we have contemplated those thickly expressed colors and textures with their luscious painterly surface, every other company we see try to become an aesthetic experience filled with fruitful sensations.Variety is used in this image by elements changes. Repeating a similar shape but changing the size can give variety and unity at the same time. Keeping the same size, but changing the color can also give variety and unity at the same time. In visual composition, there are many ways you can change something sequence simulate Amorously keeping it the same while the depth is effects, distance, childbedion toward the viewer add interest. Linear perspective in the real word makes things duller and teeny-weeny things brighter, and so on, to make the objects contradict realism. Many artists dont believe in realism even though they could do it if they wanted to. It se ems too boring to them. Realism wouldnt be art for some artists. The way the image repetition is of the visual elements is, one is the size variation that can be applied to shape, form, etc. Notice how size can affect how close or far something can turn out to be from the viewer.Example can be the boy in the close view and the rest of the students in a far view. Which one appears closer? Note how size relationships create depth or space in a composition. Children in first grade can already recognize closer and stimulate based on size even though they wouldnt typically use their pictures unless they were motivated to do so.Repetition can be used on all of the visual elements. If things are repeated without any Shape they can quickly get boring. However repetition with variation can be both interesting and comfortably familiar. Repetition gives dubiousness. While variation can be used with all of the visual elements. See variety above. You can do this with all the elements. Artists do this all the time.Color saturation, sometimes called color intensity or brightness can also gives a feeling or depth and space. Which of these people are farther away in the image? Most second graders can see this effect when they are asked to look for it. These people create the delusion of depth even though they are all the same size.When we analyze artwork we often start with visual effects. We notice something happening. Then we try to routine out why it happens. Motion isnt a principle. It is one of those magic effects when a solace picture has motion. There are lots of ways to get motion. Motion examples sometimes it has to do with orientation. A diagonal line is more dynamic than a horizontal or vertical line. Sometimes motion depends on the character of the element itself. A straight line may be less dynamic than a zigzag or a curving line. A blended are may appear to flowDepth is another magic effect. Illusion and magic are two threads of the same cloth. Example of d epth sometimes the illusion of depth has to do with orientation also, if you want a chairman person to appear further away, you can place them higher on the picture plane. Sometimes the illusion of depth depends on the character of the element itself. A warm color can appear to project and cool color can appear to recede, other things being equal. A light tone (value) can appear to project and dark tone can appear to recede.We can define semiology or semiology as the study of signs. We may not realize it, but in fact semiology can be applied to all sorts of human endeavors, including cinema, theatre, dance, architecture, painting, politics, medicine, history, and religion. That is, we use a variety of gestures (signs) in everyday life to work message to people around us. We should think of messages (or texts) as systems of signs, e.g., lexical, graphic, and so on, which gain their effects via the constant clashes among these systems. For example, the menu we consult in a restaur ant has been drawn up with reference to a structure, but this structure can be filled differently, according to time and place, e.g., breakfast or dinner (Barthes, 1964, p.28).The address of semiological analysis is to identify the principle at work in the message or text, i.e., to determine the palaver or the grammar trying together all the elements.We get a sense of how language works as a system (Barthes, 1983, p.58) if we think of language as a pair of axes or two planes of admixture activity, the vertical plane being the selective principle (vocabulary) and the horizontal dimension being the combinative principle (sentences0. For example, we might select items (words) from various categories in the vertical (associative) dimension, such as kitten, cat, muggy, tom, puss, mouser, sat, rested, crouched and so on, and link them in the horizontal (combinative) plane to formulate statements like the cat sat on the mat. Motivated signs are iconic signs they are characterized by a n atural relation between signifier and intend.A portrait or a photograph is iconic, in that the signifier represents the appearance of the signified. The faithfulness or the accuracy of the representation-the degree to which the signified is re-presented in the signifiedis an inverse measure of how change it is. A realistic portrait (painting) is highly conventionalized this means that to signify the work relies on our experience of the sort of reality it re-presents. A photograph of a street scene communicates easily because of our familiarity with the reality it re-presents. It is important to recognize that in signs of high motivation, the signified is the determine influence, and in signs of low motivation, convention determines the form of the signifier.Finally, after intruding into this design principles and element used to make for information to the viewer, I will conclude by saying the safarcom GSM Company involve themselves in the life on the Kenyan to protect them but a t the sometime media is put in front to shows politics. Safaricom choose this graphic because it explains a lot about the Kenyan cultural society.REFERENCESBarthes, R. (1964). The structuralize Activity. From Essais Critiques (winter) p. 82-88 Fiske, J, (1982). Introductions to communication. LondonMethuen. Jacobson, R. (1960). Linguistics and poetics. In style in language, (ED.) pp.260-265 Williams, R. (1976). Structural. In key words. London Fontana, pp. 253=59